This Sunday, the latest BBC literary adaptation, Vikram Seth’s A Suitable Boy, starts in the UK. I can’t wait. Even the slight disappointment of the recent The Luminaries – another favourite doorstop book of mine – doesn’t dampen my enthusiasm. A Suitable Boy is such a beautiful, complete world of a book. So why isContinue reading “Notes on: A Suitable Baoyu”
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Review #9: The Promise
Xinran’s latest is a labour of love. She has worked on it since spring 2013, since when several of its subjects have died, as well as her husband, legendary literary agent Toby Eady, who is memorialised in the foreword and afterword (and occasionally in the narrative). Xinran’s heart is on every page, as is herContinue reading “Review #9: The Promise”
Notes on: historical fiction
My last piece about The Bird in the Bamboo Cage had me thinking about English language historical fiction set in China. Is it as rare as I think? It clearly has a long history in Chinese language fiction: after all, three of the four great Chinese classics are set in a period before they wereContinue reading “Notes on: historical fiction”
Review #8: The Bird in the Bamboo Cage
Historical fiction, of all periods and persuasions, has become my go-to genre fiction comfort reading. So, given my love of Chinese literature, there is a sweet spot in the Venn diagram of historical fiction set in China, which is a surprisingly rare occurrence. Most historical fiction, in the UK at least, falls into a handfulContinue reading “Review #8: The Bird in the Bamboo Cage”
Review #7: Shadow of the Hunter
It’s always good to see more Su Tong in translation. Wives and Concubines (which I came to know thanks to a VHS of Raise the Red Lantern from the cupboard-sized local video rental shop I used to browse while waiting to pick up an Indian takeaway as a teenager) was a formative work for meContinue reading “Review #7: Shadow of the Hunter”
Review #6: Three Tigers, One Mountain
I’ve taken a short reading break recently – on top of the relentless day-after-day piling on of terrible news, I have a very small baby and returned to work, so reading for pleasure without instantly nodding off has been challenging. Whether it’s the lockdown or the lack of sleep, my brain has been drifting abroadContinue reading “Review #6: Three Tigers, One Mountain”
Review #5: A Lover’s Discourse
I wasn’t best disposed to Xiaolu Guo’s new novel A Lover’s Discourse from the outset. It opens with a quote from Roland Barthes, with whose work it shares a title. Oh God, Barthes – didn’t I read him for my Master’s? Am I really up for a book that opens with a Barthes quote? AmContinue reading “Review #5: A Lover’s Discourse”
Review #4: A Snake Lies Waiting
I have a neat little collection of tenuous claims to fame. Two people I was at school with have had number one songs. Ian McKellen once flirted with me. There’s a piece of china in the V&A made by an ancestor of mine. But possible my most tenuous claim to fame is that Jin YongContinue reading “Review #4: A Snake Lies Waiting”
Review #3: Must I Go
Does this book belong in a blog for books ‘about China’? Yiyun Li was born in Beijing but has lived in the US since 1996, now teaching at Princeton. Unlike her earlier novels, China features only in the background of Must I Go: a handful of diary entries take place in Shanghai in 1931; aContinue reading “Review #3: Must I Go”
Review #2: I Live In The Slums
The best books I own release deep emotional memories when I handle them, or see them on my shelves. Whether a pang of longing, or a pleased satisfaction of a compelling plot, they tap into something deep-seated in my emotional being. Whenever I catch a glimpse of the first Can Xue book I read –Continue reading “Review #2: I Live In The Slums”